OHSHC Manga Thoughts & Review

Where should I even start? I watched the Ouran anime long before I read the manga. Like long long before. In fact, it was one of my very first introductions to anime as it was one of the easier shows to access back in the day (thanks youtube). Anyway, fast forward a couple more years (the great anime boom of 2020) and I rewatched it, and it was during this rewatch that I learned that it wasn't the full story, and lots of things were missing. I didn't have much expectations when going into the manga, and I pretty much thought that I knew what to expect going in. Boy was I wrong, and I'm so greatful for that!

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𖦹𖦹𖦹 SPOILERS BELOW! BEWARE! 𖦹𖦹𖦹
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𖦹𖦹𖦹 SPOILERS BELOW! BEWARE! 𖦹𖦹𖦹

The manga is entirely a different story than I feel the anime tells. Not to completely knock the anime, it keeps the essence of the romantic comedy and maintains many heartfelt moments that highlight that there is more to the characters than meets the eye. But my god, the character depth and relationships just don't hit as much as they do in the manga. There are so many nuances that are left out and completely remove the subtle narrative that's occuring underneath the rom-com. For example, the attention to Harhui's apathetic and nonchalant nature, Kyoya's (lack of) desires, Tamaki's loneliness and trauma, Kaoru and Hikaru's contradicting thoughts around their relationship and relationship to others, and Hunny and Mori's relationship. All of these things have so much more weight to them than the anime gives to them. I honestly would've never thought that I would've ever cried over Kyoya as a character and want to root for his success as much as I did while reading. And even on my reread this past winter, I felt so much more for him than before. For example, the sports arc (which is comepletely cut from the anime) is where we see Kyoya finally strive for something for his own benefit than for his family even if that means overshadowing Tamaki and maintaining the status quo as the third son. Ahhhhhh just thinking about it makes me want to read it all over again!

Now, the two stars of the show, my gender non-conforming bisexual monarch and my internalized homophobic bisexual king, Haruhi and Tamaki! I loved them both since I watched the anime but the manga really inflated my love for them, especially this time round. I caught so much overlap and complexities of their characters and their relationships in this reread, mostly Haruhi. I wrote this in my book review of the manga,

"Haruhi's development is one I overlooked in my previous reads. Mostly because of how subtle it starts and builds and even intertwines with Tamaki's. Her apathy and indifference, while a being a running gag in the first half, reveals itself to be part of a shield, a coping mechanism. Of course not entirely, but half of it is. It's so similar to Tamaki's flaw where he utilizes his obliviousness and denial as a shield. I didn't pick up on their parallels until this reread, and it made everything so much more deeper and gave more depth to their relationship than it already has. These two are more alike than many give them credit for. Despite being polar opposites personality-wise, these two are the most alike than anyone else in the story. Also, it never fails to hurt me when I read the part of Haruhi pushing Tamaki to see his mom before she leaves, especially when he has the chance to speak to her as she is alive. That was the first major time that we see her so openly express her sadness about not being able to talk to her mother."

I just have so much love for manga Haruhi and I need more people to know about her. Same with Tamaki. Because more general audiences have seen the anime, they aren't entirely aware of Tamaki's entire character. Because of that, many write off the significance of his character and his influence to the main cast, especially Haruhi. He is a deeply feeling character, and he internalizes so much, but it only fuels his determination to care for others over himself. I noted that he reminded me much of Tohru Honda in this way, one of my favorite female protags. His arc, never fails to make me cry every time I read it. Also, Kyoya doing his best to find Tamaki's mom and tell her about how he's doing and doing the same for Tamaki. Their friendship is too underrated for how amazing it is.

I like going back through the manga and noticing bits about the twins' personalities. It makes for how they progress later on so much more impactful. We learn that Hikaru is more possessive and reactive towards the people he really cares for and sees anyone as a threat to that as an outsider. So when he starts to fall for Haruhi and finds that he has to go on this journery of growth and heartbreak, you observe how he overcomes that and despite his sadness and heartbreak chooses to help Tamaki and Haruhi find their way to each other. Kaoru. Man, Kaoru. I didn't really recgnize just how important he was in my first read. He's the one to break the pair out of their shells, to call out their codependence and thier hypocrisies. They want to be understood, but they also don't. They want to be told apart, but they also don't. When he told Hikaru that they should have separte rooms I wanted to rip my hair out, or when we would see the little twin plant seed slowly detangle themselves from each other.

Firefly Wedding Rant

I don't even know where to start with this one. This was one of my most anticipated manga in a long while. The premise was simply to intriguing to ignore and the art was to pretty not to gaze at. However, finally being able to catch up from where I left off before and seeing the end of the story simultaneously, I was left too flabbergasted at the amount of bullshit and disappointment I experienced to not rant. Especially since I was so happ to read it that I bought each chapter from Comikey. I'm forewarning you now. There will be spoilers, but honestly the manga doesn't even care to maintain tension throughout so maybe you'll be fine.

𖦹𖦹𖦹 SPOILERS BELOW! BEWARE! 𖦹𖦹𖦹
𖦹𖦹𖦹 SPOILERS BELOW! BEWARE! 𖦹𖦹𖦹
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I guess I'll start with the good and the promise that I had so you can see exactly why I fell out of love with it. As I said before, the inital premise of the manga was eyecatching. A sickly girl who feels the need to carry the burdens of her family so as to not present herself as a burden due to her illness has to maintain her determination as she finds herself kidnapped and sent to an island occupied by criminals, corrupted elite, and sex workers. So dedicated to returning to her family to fulfill her duty, she decides to trick an assassin sent to kill into being her husband. I looked forward to seeing Satoko's, the main female character, development and her hardships.

With the narrative framing, Satoko is the paragon of maidenhood. She defines herself within the view of her patriarchal society. That's what I liked about her and her relationship with Shinpei. They both transcended their percieved roles in society. Together, they were more than daughter or psychopathic assassin---more than male or female. Also, they were really cute, and a lot of their earlier interactions had so much tension and nuance. But as the manga goes on, it flattens their relationship. It removes any of the pressures and faults that made both of them interesting. Admittedly, there were signs even in the beginning that basically told me things were wrong, but I ignored them. I chalked it up to just being some mishaps. For example, the rushing of certain plot points like Satoko's change of indifference towards Shinpei or the weird pacing of the entire brothel arc. So many things felt contrived but not to the point of breaking me out of my fondness until the beginning of the post-brothel arc.

One: I don't like how the mangaka quickly dropped the second male leads role in the story and his toxic view of Satoko. I think in another story this would've been drawn out longer. With more development and consequences on relationships. And then so quickly after coming to terms with Shinpei's prescence in Satoko's life, he just forgoes his prior gripes with him and tries so hard to get them together only to add another male lead who isn't the least bit interesting or dynamic as the other.

Two: Quickly following after this, the brothel/island setting is quickly shooed away as Satoko and Shinpei are ambushed by DUN DUN DUN ... Satoko's father??? Mind you, after Satoko's initial kidnapping, we are shown scene after scene of her father in distress trying to find his daughter and unaware that Satoko's sitaution was caused by his own wife (Satoko's stepmother). So tell me why in this plot twist ass pull did the author reveal that the father knew where she was all along, in fact, he ochestrated the whole thing behind the step-mother's back so Satoko would be forced to marry even though the entire inital purpose of her character was that she would fulfill that duty in any capacity without waver? Mind you, during Satoko's kidnapping, she was almost sexually assaulted by the men her step-mother hired, which her father actually hired behind her step-mom's back? Then, then, this information was supposedly known by the main antagonist yet he didn't mention it.

It was at this point I had to stop reading because I could feel my intelligence being insulted. Like everything to this point was basically a concocted, convulted mess of a character that had no inkling of taking this turn. His reasons made no sense, and everything after this moment just happens. There are no clever subversions of storybeats. The author couldn't even commit to her own foreshadowing prologue and kill off Satoko. She had to make another twist convoluted. Anyway, this was a way longer than I anticipated, but it's been irking me since I stopped reading.